Balance between cultures: equilibrium training

Way back in January, I posted ‘Equilibrium, modularity, and training the brain-body.‘ At the American Anthropology Association annual meeting, I presented my current version of this research, significantly updating it with ethnographic material from Brazil, a comparative discussion of different techniques for training balance, and a series of graphics that I hope help to make my points. The title of that paper was ‘Balancing Between Cultures: A Comparative Neuroanthropology of Equilibrium in Sports and Dance.’

I’ve decided to post a version of this paper here, with the caveat that it’s still a work-in-progress. I’d be delighted to read any feedback people are willing to offer.

Introduction

Boca d' Rio does a bananeira
Boca d' Rio does a bananeira
As a cultural anthropologist interested in the effects of physical training and perceptual learning, I see ‘neuroanthropology’ as a continuation of the cognitive anthropology advocated by Claudia Strauss and Naomi Quinn (1997).

The new label, however, reflects engagement with a new generation of brain research, what Andy Clark (1997) refers to as ‘third wave’ cognitive science, or work on embodied cognition.1 Much of the ‘third wave’ does not focus strictly on what we normally refer to as ‘cognition,’ that is, consciousness, memory, or symbolic reasoning. Rather embodied cognition often highlights other brain activities, such as motor, perceptual and regulatory functions, and the influence of embodiment on thought itself; this is the reason I’m thrilled to have endocrinologist Robert Sapolsky as part of this panel, as his work is part of the expanded engagement of neuroanthropology with organic embodiment.2.

My own entry into neuroanthropology results from three influences: a phenomenological interest in cultural variation in human perception, anthropological study of embodiment, and apprenticeship-based ethnographic methods. This method posed an odd question during my field research on the Afro-Brazilian martial art and dance, capoeira. Simply put, as a devoted apprentice-observer, I failed to maintain hermeneutical agnosticism and started to ask, ‘Is what my teachers and peers report — and I too seem to be experiencing — plausible?’

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