That’s a more accurate title, but I really wanted to call this post, Tenure Online?

First off, I wanted to ask the question, what do professors out there think? Can peer-review be open sourced? Is online work getting any credit, or is it still all about traditional peer reviewed articles?

The prompt for this is an article in the NY Times: Scholars Test Web Alternative to Peer Review

The grueling process of subjecting work to the up-or-down judgment of credentialed scholarly peers has been a cornerstone of academic culture since at least the mid-20th century.

Now some humanities scholars have begun to challenge the monopoly that peer review has on admission to career-making journals and, as a consequence, to the charmed circle of tenured academe. They argue that in an era of digital media there is a better way to assess the quality of work. Instead of relying on a few experts selected by leading publications, they advocate using the Internet to expose scholarly thinking to the swift collective judgment of a much broader interested audience.

The Shakespeare Quarterly is leading the charge over in the Humanities. They handled the open comment process through Media Commons Press, which has the tagline: “Open Scholarship in Open Formats.”

The larger point comes later in the article, and it’s one I hope to hear people’s opinions about:

Today a small vanguard of digitally adept scholars is rethinking how knowledge is understood and judged by inviting online readers to comment on books in progress, compiling journals from blog posts and sometimes successfully petitioning their universities to grant promotions and tenure on the basis of non-peer-reviewed projects.

Susan Blum, my colleague at Notre Dame, is featured in a NY Times’ article today, Plagiarism Lines Blur for Students in Digital Age. The basic point of the article is that students, in the age of wholesale copying and pasting on the Internet, and a culture with changing notions of authorship, have trouble understanding the academic emphasis on doing one’s work (including writing one’s own words) and citing others for their ideas, data, and other types of work.

Ms. Blum argued that student writing exhibits some of the same qualities of pastiche that drive other creative endeavors today — TV shows that constantly reference other shows or rap music that samples from earlier songs.

In an interview, she said the idea of an author whose singular effort creates an original work is rooted in Enlightenment ideas of the individual. It is buttressed by the Western concept of intellectual property rights as secured by copyright law. But both traditions are being challenged.

“Our notion of authorship and originality was born, it flourished, and it may be waning,” Ms. Blum said.

She contends that undergraduates are less interested in cultivating a unique and authentic identity — as their 1960s counterparts were — than in trying on many different personas, which the Web enables with social networking.

Based on her research with Notre Dame undergraduates, Blum published an enticing book in 2009, My Word!: Plagiarism and College.

Professors are reminded almost daily that many of today’s college students operate under an entirely new set of assumptions about originality and ethics. Practices that even a decade ago would have been regarded almost universally as academically dishonest are now commonplace. Is this development an indication of dramatic shifts in education and the larger culture? In a book that dismisses hand-wringing in favor of a rich account of how students actually think and act, Susan D. Blum discovers two cultures that exist, often uneasily, side by side in the classroom.

Relying extensively on interviews conducted by students with students, My Word! presents the voices of today’s young adults as they muse about their daily activities, their challenges, and the meanings of their college lives… Blum suggests, the real problem of academic dishonesty arises primarily from a lack of communication between two distinct cultures within the university setting. On one hand, professors and administrators regard plagiarism as a serious academic crime, an ethical transgression, even a sin against an ethos of individualism and originality. Students, on the other hand, revel in sharing, in multiplicity, in accomplishment at any cost.

Back in 2009, Susan wrote about her work in an article Academic Integrity and Student Plagiarism: a Question of Education, Not Ethics in the Chronicle of Higher Education. Susan outlined the two main approaches to preventing plagiarism, a moral one generally using honor codes and a disciplinary one requiring greater enforcement by faculty and staff.

Traditional efforts by administrators to prevent plagiarism fail for a number of reasons. For starters, students have only a vague sense of what is meant by the moral quality termed “academic integrity.” Also, rules about intellectual property are in flux.

In addition, our notion of the originality of utterance as the product of the unique, isolated, authentic self had its peak in the 1960s and 1970s. Students today have been immersed in a culture that revels in trying on different personae and sharing freely. There is no inviolable connection between words and the self that produces them. Students are not wedded to the integrity of their own writing and do not necessarily assume that others are either.

Moreover, students are mostly focused on success and achievement, a bottom-line mentality that has helped them gain admittance to the highly selective institutions that are, in fact, trying to enforce the norms of academic citation. If students pursued education for its own sake — as do most professors — they would try to produce academic work that increases learning and to model their behavior on their professors’. But many students don’t especially value the process of classroom learning — so, in fact, any process will do.

She outlines a series of practical steps to increase academic integrity by reducing plagiarism and improving students’ approach to citing others. She concludes:

Treating academic integrity as a constellation of skills, taught largely through the long apprenticeship of higher education, is the most promising approach for getting students to follow the rules of academic citation, and the one with the least likelihood of providing a shortcut. That means teaching students what academic integrity involves, why professors value it, and how exactly to carry it out.

My eight year old son just wrapped up his science presentation project for school, a large poster that he’ll share with his class and then judges at the school’s version of a Science Fair. His topic? How the Brain Works.

A great topic, of course! Maybe a tad ambitious (!), but just the sort of question you want kids to ask. So I was excited to show off my Internet skills and get him hooked into some sites to help explain the brain to a growing boy. Paul outlined a bunch of them in his post Brain School.

But none of them did the trick! My son wasn’t particularly interested in them, the explanations and graphics didn’t always seem accessible, and I came away a little frustrated with the state of neuroscience for kids on the internet.

We had better luck at the local library, so I’m detailing the four most useful books below. If there are other books you like, please leave a comment! It would be great to build a resource. And if there is a great Internet site out there that your kid really hooked into, then tell us about that too.

Here are the boosk with Amazon links:

Anita Ganeri (2003). Your Brain. Gareth Stevens Publishing and part of the How Your Body Works series.
-This book was short, with vivid illustrations and language that my son got – it was the one he drew on the most to get the basics down for his presentation.

HP Newquist (2004). The Great Brain Book: An Inside Look at the Inside of Your Head. Scholastic Reference.
-A more encyclopediac book, covering history, evolution, the brain itself, treatment and more. It’s more text oriented, but does have good illustrations. Amazon plugs it for ages 9-12, but the School Library Review says Grade 7 and beyond.

Michael DiSpezio (2004). How Bright Is Your Brain? Amazing Games to Play with Your Mind. Sterling Publishing.
-It gets info across using kid-friendly drawings, but also focuses on activities kids can do to help understand their brains. Definitely some fun ones, and a good way to introduce some ideas about experiments.

Steve Parker (2006). Control Freak: Hormones, The Brain, and the Nervous System. Raintree.
-This book has more photos and focuses on what the brain does. Good stuff on the senses and movement.